Stuck in the middle disney
Disney, as a major player among mainstream U.S. Bringing together discourses of girlhoods and Latinidad, and elaborating on post-feminism through ambiguity, the article employs three overlapping units of analysis: the family, the main character, Harley Diaz, and four purposefully selected episodes, to investigate how mainstream cultural producers attempt to represent and reach out to a newly acknowledged diverse audience.
STUCK IN THE MIDDLE DISNEY SERIES
N2 - This article explores Disney’s production and circulation of specific and ambiguous Latinidad by focusing on the Disney Channel television series Stuck in the Middle (2016–2018).
© 2020 Informa UK Limited, trading as Taylor & Francis Group. We also thank Nathania Djuhar and Tiegan Hartley, for their research assistance with this project. We thank the Institute of Communications Research for providing the intellectual environment wherein this research could be carried out. T2 - Stuck in the Middle, Disney, and the in-between ethnicity Abstract = "This article explores Disneys demands for visibility which results in a tension between identifiable presence and stereotypical depictions.",